| Kitsch, using for raw material the debased and academicized simulacra of genuine culture, welcomes and cultivates this insensibility. |
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| Despite the obvious codes of virtuality at play, of simulation and simulacra, the image works. |
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| They are pop cultural simulacra, mere shadows of Cagney's tragic anti-hero and Marlon Brando's brooding Don. |
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| They are mere simulacra, which replace real things and their actual relationships in a process which Baudrillard calls hyperrealization. |
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| The spectacularization and simulacra of mediated experience structure the institutionalization of the culture of globalization. |
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| Play is simulacra or vertigo, a universe unto itself where one must take chances and run risks in order to find ones place. |
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| Each object can be depicted as some simulacra in confrontation with the condition human. |
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| But they discover an excavation beneath The Center that turns out to be Plato's Cave, and the discovery saves them from a living embalmment as satisfied simulacra. |
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| In a telling manner, the drugs of the past have disappeared and been replaced by their own simulacra. |
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| The thinly painted, diaphanous rectangles, which achieve greater density of color where they overlap, function as simulacra of brushmarks or as tesserae in a mosaic. |
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| In this self-portrait in the form of simulacra, the photographer looks at the photographer who is perhaps pretending to be a photographer? |
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| No smoking room will ever be other than peopled with incalculable simulacra amidst smoke wreaths. |
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| This simulacra universe questions mischievously the relations between social class and taste, while challenging interpretation. |
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| The feast ends bringing back the simulacra to the Mother Church. |
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| He felt that objects imprisoned inside museums became grotesque, self-important simulacra of themselves, dead and embalmed, reeking of all the sterility of systematisation. |
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| In fact Gottfried Helnwein made his name by spectacular performances, among them are self mutilations or simulacra of violence inflicted on himself. |
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| The references to military techniques recall with sarcasm, critical resistance or artistic fascination, the troublesomely spectacular nature of modern simulacra. |
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| Finally, reality is unentangled, facts reappear again, brought into the daylight, and simulacra are gone. |
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